Project Portfolio

Bill Kill

Type: Mobile App, Online Campaign
Task: Scoring, Audio Post Production
Client: Splæsh AS / Bill Kill AS
Year: 2019

Sommerles

Type: Online Campaign
Task: Scoring
Client: Sandnes Media / Vestfold og Telemark County
Year: 2019-ongoing

Aster

Type: Short Film
Client: 3DSense Media School
Year: 2019

My Grandfather’s Memory Book

Type: Short Film
Task: Scoring, Audio Post Production
Client: Colin Levy
Year: 2018

When he died, Byron Levy left behind a vast inheritance — of drawings. His grandson, filmmaker Colin Levy, takes us through some of the creative and whimsical stories that they evoke in his hand-drawn short documentary, which is featured in the Op-Doc section of the New York Times.

Fell Seal: Arbiter’s Mark

Type: Video Game
Task: Scoring
Client: 6 Eyes Studio, LLC
Year: 2018

Fell Seal: Arbiter’s Mark is a tactical RPG that follows in the footsteps of venerated genre greats such as Final Fantasy Tactics. It is currently in development by Florida-based indie game company 6 Eyes Studio and on track to be released on PC and consoles by 1C Publishing in 2019.

Love Knows No Borders

Type: Short Film
Task: Scoring
Client: Emad Khalili
Year: 2017

Sick City

Type: Video Game
Task: Scoring
Client: ROCCAT Games Studio
Year: 2017

Soul Shelter

Type: Documentary Feature
Task: Scoring
Client: Touratech
Year: 2017

Travel documentary for Touratech, directed by Wolfgang Danner.

Jotun Matrix

Type: Product Video
Task: Audio Post
Client: Sandnes Media AS
Year: 2017

The Little Goat Who Counted to Ten

Type: Short Film
Task: Scoring, Complete Audio Production
Client: Sandnes Media AS / NRK
Year: 2015

The Little Goat Who Counted to Ten

A lovingly hand-painted, animated short film adaption of Alf Prøysen’s famous Norwegian child tale, Geitekillingen som kunne telle til ti, to be broadcast and published by Norwegian public broadcasting corporation NRK in Q3/2015.

For my new collaboration with director and animator Hans Sandnes and his production company, I’m writing a fully orchestral score in an endearing and playful style inspired by vintage cartoons. I’m also responsible for the project’s audio post production.